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Thesis Eleven, Vol. 79, No. 1, 75-86 (2004)
DOI: 10.1177/0725513604046958
© 2004 Thesis Eleven Pty, Ltd., SAGE Publications

Rationalizing Musicality: A Critique of Alexander’s ‘Strong Program’ in Cultural Sociology

Gregor McLennan

University of Bristol, g.mclennan{at}bristol.ac.uk

This article argues that the long-standing tension in Jeffrey Alexander’s work between theoretical multidimensionality and socio-cultural idealism has intensified in his recent writings, to problematical effect. Whilst Alexander has shifted of late towards a more substantive and normative style of thinking, his new emphases continue to be grounded in arguments pitched at the general theoretical level. One of these involves a particular reading of the nature of post-positivist meta-theory today, and the other, within this, is a determined effort to distinguish a project of ‘cultural sociology’ from ‘sociology of culture’ approaches. I take issue with both of these theoretical moves, showing that they are rhetorically and conceptually flawed, and of a strongly idealist cast. They also run counter to those aspects of Alexander’s outlook that do seem more robustly multidimensional and sociologically promising.

Key Words: Alexander • cultural sociology • foundationalism • idealism • rhetoric


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